Is there room for two more versions of Goldilocks? Yes, if it's space for these two. Although as different from each other as peas and pies, both are delightful and will attract their own audience, with some children preferring the traditional story and others gravitating to the fresh and funny version. Although Aylesworth follows the standard telling, he adds decorative touches in the text. McClintock's art is also traditional. Executed in watercolor, sepia ink, and gouache, her pictures have a nodding acquaintance with Tenniel's artwork for Alice, but the Victorian sensibility is interrupted here and there with some humorous details, particularly the expressions on Goldilock's face. Stanley's Goldie is a modern-day kid. She has definite likes and dislikes about food, clothes, and even friends: Jenny is too boring; Alicia is too snobby. One day, Goldie gets off the school bus at the wrong stop and wanders into a strange house. Children may think they know the rest, but in the end, the little bear girl turns out to be just the friend Goldie has been looking for. Stanley's art, so sophisticated in her biographies, is delightfully childlike here, with lots of fun in every scene. Ilene Cooper Copyright c American Library Association. All rights reserved